For most people, the strength of a Wi-Fi signal is nothing more than a number — an isolated, and entirely utilitarian metric. But for Austrian artist and architect Peter Jellitsch, this data point is part of a larger set of invisible forces silently enveloping us. It’s this invisible, “fragmented space” that Jellitsch strove to capture in his latest work, “Bleecker Street Documents.” 

For most people, the strength of a Wi-Fi signal is nothing more than a number — an isolated, and entirely utilitarian metric. But for Austrian artist and architect Peter Jellitsch, this data point is part of a larger set of invisible forces silently enveloping us. It’s this invisible, “fragmented space” that Jellitsch strove to capture in his latest work, “Bleecker Street Documents.” 

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So I guess we are who we are for a lot of reasons. And maybe we’ll never know most of them. But even if we don’t have the power to choose where we come from, we can still choose where we go from there. We can still do things. And we can try to feel okay about them.

From the book, Perks of Being a Wallflower. 

hyperallergic:

Motoi Yamamoto makes elaborate installations using a very nontraditional contemporary art material, table salt.

For the latest installment of The Avant/Garde Diaries, the Japanese artist traveled to the salt flats of western Utah to discuss life, death, rebirth, and his elaborate patterns that can resemble the powerful metrological patterns of typhoons or hurricanes.


(via urhajos)